THE MIGHTY MOCAMBOS: Spinning
STONE MONKEY
13/05/2025
Time was when the monkey used to think of The Mighty Mocambos as the ‘parent’ project to Bacao Rhythm & Steel Band. Nowadays however, the
JR THOMAS & ERASERHOOD SOUND: Can’t Leave You Alone
STONE MONKEY
13/05/2025
Still seeking musical inspiration in the decades of the 1960s and 70s but eschewing the rocksteady and reggae he is more normally associated with for
FEED LA: Feed Lala
STONE MONKEY
13/05/2025
Right – the band is Feed LA and the track is Feed Lala. Got that? Good. And you know the lineup for Feed LA (the
THE REBEL feat. COREY JAMES GRAY: Crowns (Vinyl 7″)
STONE MONKEY
12/05/2025
DJ’s Choice label boss Tommaso Taroni may be better known to MB readers as DJ/ producer The Rebel and he dons his production hat once
SMILE DAVIS: Squabble Funk b/w Dogfish (Vinyl 7″)
STONE MONKEY
08/05/2025
Surely not news of a second banging Uluru 45 already? Well, actually, yes, though in truth the closeness is purely down to the monkey –
PEKI MOMÉS: Yildiz (Estrelar) b/w Bahar (Vinyl 7″)
STONE MONKEY
08/05/2025
After the success of debut 45 Göç Mevsimi back in the autumn – which made such a splash that Iggy Pop played it on his
THE ALLERGIES: Bye Bye Baby/ Heartbreaker (Vinyl 7″)
STONE MONKEY
08/05/2025
Double uptempo wax 45 business from The Allergies on their new and very limited vinyl 7″. On side B you’ll find Heartbreaker from their debut
VOODOOCUTS/ CHALANGA: Latin Drummer b/w Goodness Uplift (ULURU 019)(Vinyl 7″)
STONE MONKEY
07/05/2025
Dropping with way less fanfare than it deserved just over a month ago this split 45 from Voodoocuts and Chalanga shows that Uluru Records has
BACAO RHYTHM & STEEL BAND: Big Crown Vaults Vol. 4
STONE MONKEY
06/05/2025
The Big Crown label continues an occasional LP series in which it dedicates each volume to a different signing on its roster and showcases said
SOUL FLIP EDITS 17: B-A-B-Y/ Can I Get A Witness (Vinyl 7″)
STONE MONKEY
02/05/2025
Aaaannd for the second Soul Flip 45 outing since October’s re-brand, it’s this: flips of Carla Thomas’ ’66 hit B-A-B-Y (penned by Isaac Hayes, no