WOXOW: How Many Ancestors Do We Have? EP
STONE MONKEY
30/05/2023
Little Beat More label main man Woxow ponders the pedigree collapse paradox on new EP How Many Ancestors Do We Have? with Raashan Ahmad, Azeem
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DUBMATIX meets ROOTWORDS: Black & Blue
STONE MONKEY
30/05/2023
Dubmatix meets Rootworks on new single Black & Blue which comes in three vocal flavours and two instrumental ones. Most would probably describe the original
BADBOE: Hard Times EP
STONE MONKEY
30/05/2023
Good to see Breakbeat Paradise label boss Badboe back in the saddle for Hard Times – hopefully not because of them. The upbeat party vibe
ORIGINAL GRAVITY RECORDS: Down In The Basement (Vinyl 7″)
STONE MONKEY
24/05/2023
The monkey has long been resigned to not keeping up with the 45 release schedule of label Original Gravity whose multi-band ‘roster’ actually consists of
HONKA PONKA & GU: A Funky Little Something / TOM SHOWTIME: Jazz Biscuits (Vinyl 7″)
STONE MONKEY
24/05/2023
The second vinyl 7″ release for Oz label Members Only Recordings pairs two dancefloor tracks from different ends of the party hip-hop/ breakbeat aesthetic. On
CARLTON JUMEL SMITH: It’s Gonna Be Alright
STONE MONKEY
23/05/2023
New York soul-man Carlton Jumel Smith delivers the next digital single to be lifted from Golden Rules forthcoming vinyl funk and soul sampler compilation LP,
KOOL KEITH: Space Mountain (feat. MARC LIVE)
STONE MONKEY
23/05/2023
Here’s the next taster of Kool Keith’s forthcoming Black Elvis 2 LP sequel to 1999’s Black Elvis – new single Space Mountain. As you’d expect
THE IRONSIDES: Changing Light LP
STONE MONKEY
19/05/2023
When The Ironsides first hove into view with their Stig & Steen cover Sommer in 2020 it was as a Monophonics side project (of bassist
THE ALLERGIES: Tear The Place Up LP + video
STONE MONKEY
19/05/2023
[RATING: 5] Aren’t bands supposed to take a mid-career hiatus or something – go off and do vanity solo projects, realise they were greater than
CALIBRO 35: Gun Powder
STONE MONKEY
16/05/2023
Say hello to a returning Calibro 35 who, having re-invented themselves for the new decade as a band liable to use a lot more electronic