To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behaviour or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
The technical storage or access that is used exclusively for statistical purposes.
The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
[RATING: 5] Sterling work of the Gamm edits variety here as Washington DC-based Honest Lee reworks a pair of Sam Cooke-related cuts. First up is an understated disco rerub of Eddie Floyd’s version of Cooke’s Bring It On Home just in time for the anniversary of the 1962 release of Cooke’s original on 8 May. So far so good but what comes next might roll your soul even more. Yes, as far as the monkey is concerned, this one’s all about the disco-funked-up edit of The Ovations cover of Cooke’s Shake. Which is precisely what your ass will be doing when you hear it.