Tag Archives: Tonic

SECOND HAND AUDIO: Extended Play (Remixed)(2017)

second-hand-audio-extended-play-remixedThe six tracks of Second Hand Audio‘s excellent hip-hop drop Extended Play from last year get a second crack of the whip on Extended Play Remixed in which play is indeed extended to a whopping ten tracks. That’ll be no fewer than three versions of Psycho Les-featuring banger Brand New then (courtesy of Slynk, DJP and Ugly
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ICONS OF GHETTO FUNK 2013 Parts 1 & 2: Free download (2013)

I had been thinking this latest annual installment of the Ghetto Funk Icons series, Icons Of Ghetto Funk, was early. But then I checked and actually it’s later than the previous two years. And that’s not all that’s different. This time the icons they’re remixing aren’t the popular music giants of yore but some of the label’s own artists. Say what? Remixes of the Ghetto Funk back catalogue by
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GHETTO FUNK presents: TONIC feat. RAYNA ‘The Pump’ (GFD07) (2013)

Not enough ghetto funk in your life? That’s all set to change this week as the (now Bristol-based) Ghetto Funk label drops The Pump (courtesy of Perth’s Tonic) thus administering the very – er – tonic you need. And it’s a bit of a ‘pump n grinder,’ in fact as relentless synths battle bumpin breaks and – hello – who’s this? Why, it’s Rayna everybody (a.k.a. MC Rayna a.k.a. Rayna Zara) one
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TOO MANY T’s: The T.P. Remixed (2013)

No wait! Stop – what are you doing! It’s good new party hip-hop – does it really need a ghetto-funk remi-…oh. Too late. In truth, there was never any chance of Too Many Ts not getting remixed by the Ghetto Funk crew – in this case WBBL, D:End, Lewd Behaviour, Tonic, BSide. And it’s every bit the grinding, snarling collection of hammer synths and crashing breaks you might expect. And then some
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BOOTY FRUIT presents: Homemade Bullets Volume 3 (2011)

Homemade bullets? It’s all about the casting, the priming, the charging…the constant threat of it all blowing up in your face…Still, none of this is really an issue for Cut La Vis, El Bomba or Tonic & Funkanizer who’ve been slaving away in their audio bunkers crafting dancefloor ammunition in the shape of this digital four-tracker. As always, a lot depends on picking a dope sample so particular props have to go to Funkanizer and El Bomba for
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