There was no turning down legendary DC beatmakers Fort Knox Five yesterday when they asked if MB would like to do a free giveaway of FK5’s I Know Kung Fu. Lost in the vaults for years, the track had been gathering dust among jade statues and ancient scrolls until it was unearthed in the quest for material to include on the FK5-curated Bomb Strikes comp. Funk N Beats Vol. 4
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Tag Archives: Fort Knox Recordings
FORT KNOX FIVE: I Know Kung Fu (DC’s Finest Remint) + free download
QDUP feat. AWOKE: Sonic Drop
Sonic Drop – not the latest battlefield weapon in Trump’s arsenal but the latest dancefloor weapon in Qdup’s – and shit is pretty newfangled sounding. Boom-bap this ain’t. Although it does qualify as hip-hop. What we have here my friends is an 808-charged, super-heavy bass payload with stutterfunk percussion and an emcee in the shape of Awoke on the mic? Did I mention her yet? No?
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BACKBEAT UNDERGROUND feat. AARON ABERNATHY: She Don’t Love Me (Like I Do) (2017)
True-school soul releases have been flooding out of both the Daptone and Big Crown labels Stateside this year and now Fort Knox Recordings are getting in on the action by welcoming Backbeat Underground to the fold. The latter’s new single is the Aaron Abernathy-featuring She Don’t Love Me (Like I Do) and is a smouldering slice of a horns-toting groove that will particularly
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THUNDERBALL: Bulletproof: B Sides & Rarities (2017)
Next on Fort Knox Five’s Fort Knox Recordings label is Bulletproof, a sixteen-track retrospective trawl through the back catalogue of Thunderball – an outfit formed in 1997 by three future members of FK5 – Rob Myers, Steve Raskin and Sid Barcelona. It’s a compilation that packs a full clip of dancefloor weaponry too, taking in nine original mixes and seven remixes of – well – like the
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QDUP feat. JEROME JOYCE: Get Up (2017)
Qdup and Jerome Joyce ensure that everyone gets up for the get down with Get Up – Fort Knox Recordings’ second big nod to DC go-go in a month after FK5’s very own Give It A Minute featuring BCap. Here the sound of the Washington dance underground is even stronger with Qdup refracting the trademark staccato drums, roto-toms and pitch-bending synth chords through a
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FORT KNOX FIVE feat. BCAP: Give It A Minute (2017)
Give It A Minute is Fort Knox Five’s first post-Pressurize The Cabin-era single and finds the DC crew working with Boston emcee BCap who it seems they’ve been trying to get on the mic since they remixed Ursula 1000’s Smoke Machine a couple of years ago. Having had a lot more than a sixty seconds to conjure up a suitable sonic backdrop for some BCap bars they’ve ended up
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QDUP feat. EVERYMAN: Joyride (2017)
QDup and EVeryman provide a new theme for driving down PCH top down and hands in the air like you just don’t care by way of Joyride. It’s a catchy P-Funk-inspired breaks tune with crisp drums, farty synth bass, EVeryman knocking out the verses and QDup himself on the talkbox for those authentic frequency-bending hooks. Should have your lowrider popping. Comes complete with
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FORT KNOX FIVE feat. SIR JOE QUARTERMAN: Don’t Go Remixes (2017)
Fort Knox Five take their guest vocalist on last year’s excellent Don’t Go (the legendary Sir Joe Quarterman) at his word and having dropped the track digitally on Fort Knox Recordings in the spring and followed it with the vinyl 45 on Dinked Records in the autumn, they now deliver the remixes in the dead of winter. Which means both K-Lab and Trotter get a chance to strut their
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FORT KNOX FIVE: Pressurize The Cabin Remixed (2016)
You’ve released your album, you’ve released your singles, you’ve teased a couple of remixes – what could possibly be left to do for your label’s hundredth release? Ohhh – it’s got to be the remix album hasn’t it?! But who might want to remix Fort Knox Five‘s last album Pressurize The Cabin? Maybe (deep breath) Bobby C Sound TV, All Good Funk Alliance, The Funk Hunters, Qdup, Bart
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QDUP & WARP 9 feat. FLEX MATTHEWS: Bodyrock (2016)
Qdup, Warp 9 and Flex Matthews get the full lock on the Bodyrock with their new collaborative single, and it’s every bit the slice of twenty-first century synth-drenched slice of bass-funk electric boogaloo you’d expect from the name. On the mic, Matthews lays down the gauntlet for fellow emcees and there’s even a brooding synth dropout to allow the competition to contemplate their game. Warp
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