To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behaviour or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
The technical storage or access that is used exclusively for statistical purposes.
The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
Here we are then – Smoove’s drums of death, ‘coal funk’ reboot of the Jess Roberts-featuring debut single and best track off Nick Pride & The Pimptones’ new long player Midnight Feast Of Jazz. It’s shot on a rooftop for added drama, not sure where though – the derelict cargo cranes in the background speak perhaps of Newcastle’s industrial past but the sun’s shining so it can’t be there, surely, since it’s always either raining or hunched under doomy grey clouds? Were you to be in the market for a physical copy, you’ll only find it in wax form and only on the recent Mo Record Kicks Act II compiled by the king of the northern shipyard groove, himself…Smoove.