Tag Archives: tracklist

THE QUALITONS: ‘Panoramic Tymes’ LP details + tracklist

The content leans a little more to psych rock at times but this mix of sixties modbeat, Hammond funk, and funky/ garagey psychedelia from Hungary’s The Qualitons might seem more than a little familiar to fans of the UK’s Big Boss Man. Not that there’s any harm in that you understand since Big Boss Man rule, but you might injure yourself trying to pronounce the names of those tracks which are Magyar. At least, I’m assuming they’re Magyar
…MORE

CELPH-TITLED & BUCKWILD – ‘Nineteen Ninety Now’ album release details + tracklist + listen links

Nineteen Ninety Now finds Army Of The Pharaohs cohort Celph-Titled spitting contemporary verse over some slept-on ‘90s beats from D.I.T.C. producer Buckwild. Hence the name. Get it? It’s no news that much of what passes for hip-hop these days is far from great, so going forward to the past is certainly one solution.
…MORE

THE TRANSATLANTICS: LP release date + tracklist

Another funk/ soul outfit from Australia, but unusually not from Melbourne. Adelaide’s The Transatlantics have backed Marva Whitney, shared a stage with Eddie Bo, and been described by the NME as, “a young, white Sharon Jones & The Dap Kings.” Mighty associations and an equally mighty quote – though that last is a bit of a double-edged sword since the ‘new music’ that the NME champions is rarely other than white and indie and the Dap Kings are probably the only contemporary soul/ funk band they’ve ever heard of. Production is crystal on this debut LP but it’s more your jazzy-tinged JB’s-ness than your soul/blues flecked Eddie Bo style grit. In fact, actually, I’ve found more dirt in one of those sealed wipes you get at the end of a meal in a really good curry house.
(Out 11 October 2010)
(PRESS RELEASE) Adelaide´s The Transatlantics came together in 2007 born of a shared love for gritty old vinyl, cheap guitars and quality barbequed meats. Described by NME as “a young, white Sharon Jones and the Dap Kings” The Transatlantic´s sound invokes the grainy warmth of southern American Soul and the rhythmic grunt of classic James Brown-era funk. Led by the commanding vocal presence of Tara Lynch and comprising three horns, two guitars, bass and drums, this eight-piece band has gained a well deserved reputation for their high-energy live shows, working hard on stage to create the unrelenting, deep groove so central to the soul tradition.

Following a huge 2009 which saw performances at Falls Festival, Big Day Out and Playground Weekender Festival, 2010 sees the release of The Transatlantic´s self-titled debut album on Freestyle Records. Entirely self-produced, the album showcases the many influences that have shaped the development of the band so far: from the Al Green inspired flavour of the lead single “Couldn´t Be Him” and the tortured soul reminiscent of early Aretha heard on the ballad “That´s When I Feel So Lonely” to the raw deep-funk of “Turn You Loose” and the fiery up-tempo cover of Marva Whitney´s hit “Things Gotta Get Better”

Mixed and tracked entirely from analogue tape, this debut effort by The Transatlantics displays the attention to stylistic detail and intelligent songwriting that the band strives for. In their short lifetime, The Transatlantics have shared the stage with New Orleans funk legend Eddie Bo, as well as being chosen as the band to back Soul Sister no.1 Marva Whitney on her 09/10 Australian Tour. Never a band to turn down an opportunity to turn it up live, The Transatlantics have also played support to the likes of Fred Wesley, Menahan Street Band, Roy Ayers and The Bamboos.

The Transatlantics – The Transatlantics – tracklist
1. Tea Legs
2. Couldn’t Be Him
3. I’ve Been Bad
4. Thumbin’ It
5. That’s When I Feel So Lonely
6. On Fire
7. Turn You Loose
8. Talk Like That
9. Save Me
10. Your Time Is Up
11. Keep On Running

The Transatlantics – Myspace

THE APPLES: ‘Kings’ LP release details + tracklist

Anyone who has heard what is probably The Apples’ best-known track (i.e. their instrumental cover of Rage Against The Machine’s Killing In The Name) will know what to expect from this – namely scratchy, jazz-inflected breaknology. This time around the ‘four-turntables and no microphones (but lots of instruments!)’ crew hook up with former James Brown cohort, Fred Wesley and Israeli world music kingpin, Shlomo Bar, on new LP Kings due next month.
(Out 13 September 2010 on Freestyle)

(PRESS RELEASE) THE APPLES present: ‘KINGS’. The brand new release from the nine piece instrumental Juggernaut. This quite stunning collaborative album is available on CD, vinyl LP and as a digital download

In a musical first for the band, they wrote, arranged and recorded music with specific collaborators in mind. They held sessions with two of their heroes; a congregation with two musical and spiritual father figures from opposite ends of The Apples rich spectrum: Fred Wesley – Pioneer of funk trombone in particular and funk horn arranging in general with James Brown, The JBs, Parliament/Funkadelic and The Horny Horns. SHLOMO BAR – Vocalist, Percussionist, Godfather of Israeli world music. Figurehead of the highly influential, ethno-fusion ensemble HaBrera HaTeevit.

The exciting process of these recordings exposed the band’s many roots and influences; elements of The JB’s funky foundations, African, Cut & Paste, Soul, Middle Eastern, and Dub are all clearly displayed on KINGS, strained through the band’s unique Decks-Horns-Soundboard Effects-Double Bass-Drums lineup.

This release signifies the next step in The Apples ever thickening groove stew, and the boys are intent on pushing it further and this summer will once again take to festival and club stages for another string of their relentless live sets filled with runaway grooves, countless twists and turns, dizzying transitions, spontaneous arrangements, the occasional reworking of early 90’s alt-rock fist shakers, and the basic jump-up-and-down crazyness for which The Apples are known stages, dancefloors, sound systems, playlists, films, televisions, cars and ears worldwide.
As the conspiracy continues, watch this space….. and bring a change of clothes!

The Apples present Kings – tracklist
1. Howlin’ with Fred
2. In the Air
3. All Right All Right
4. Kings
5. Batash (Alwoojdi)
6. Ani, Ata veHoo
7. Walking to the Palace
8. Banana Jam

The Apples – Myspace

MARK RONSON & THE BUSINESS INTNL: ‘Record Collection’ LP release details + tracklist

You must have heard the Q-Tip/ MNDR-featuring Bang, Bang, Bang by now so you’ll know that Ronseal has dumped his brass section. Yep, he’s all about the keyboards this year so it looks like he’s poised to do for the eighties synthesiser what Versions did for the horns. Make of that what you will – one can only speculate what instrument he will turn his attentions to next. In the meantime expect a cast of collaborators more star-studded than a Royal Variety Performance (including Ghostface Killah and Boy George), some breakbeats and a lot of noises that make you think it’s 1984 again. Tracklist below press guff…

(PRESS RELEASE) Mark Ronson is back and this time more than ever, he means business – the Business Intl, in fact.

‘Record Collection’ is the third album headed up by the mid-Atlantic muso mastermind and, as usual, he’s bought a host of famous friends and former collaborators along for the ride. The follow up to 2007’s triple platinum ‘Version’ – which sold one million copies in the UK and saw Ronson score the Best Male Solo Artist gong at the Brit Awards – is every bit as impressive as it’s predecessor. This time however, Ronson has made a point of ripping up the rule book that he had written so well. So it’s goodbye to the Dap Kings and their horn-y break downs and au revoir to the innovative cover versions. Instead, Ronson is saying hello to Brooklyn b-boy sonics, swirling retro synthesized sounds and the kind of off-kilter pop sixth sense that it’s impossible not to move to.

Recorded at Dunham studios in Brooklyn and working with vintage keyboards Ronson bought on eBay, the album melds eighties indie to nineties hip hop beats and also sees someone rather special take to the mic… ‘Lose It (In The End)’ was co-written by Jonathan Pierce of The Drums and features rhymes from Ghostface Killah and vocals from Mark Ronson himself. ‘My vocals sound so small next to Ghostface – literally dwarfed when he comes in. But I wanted that song to sound like The RZA sampling a Turtles record and putting a breakbeat on it,’ says Ronson.
It’s not the only track with he sings on, also lending his soft transatlantic tones to the album’s genius title track, a satirical swipe at the music industry and Ronson’s perceived lifestyle, written by Nick Hodgson of the Kaiser Chiefs, and which sees Ronson bemoaning “I drive ‘round cities in a chariot/I get preferential treatment at the Marriott”. Featuring a soaring chorus sung by Duran Duran’s Simon Le Bon and keyboards from Nick Rhodes, ‘Record Collection’ is one of the album’s stand-out songs on a record packed with them.

The old school flavour of the album is behind much of its charm. ‘The Bike Song’ – co-written by the Zutons’ Dave McCabe and with laid back, but never lazy, vocals from The View’s Kyle Falconer – boasts an almost psychedelic sixties vibe while the warm doo-wop of ‘The Night Last Night’ is brought to glorious life by former Pipette Rose Elinor Dougall. ‘I wanted to get that Frankie Valli And The Four Seasons’ Beggin’ feeling, that really haunting, barbershop-type harmonies over a heavy drum break,’ explains Ronson.

Rose also features on ‘You Gave Me Nothing’, another track co-written by Jonathan of The Drums. Appearing alongside Miike Snow frontman Andrew Wyatt, it’s an anti love song, the tale of a warring couple set in front of an sumptuous eighties synth backdrop. ‘Somebody To Love Me’ is another highlight. Jake Shears of Scissors Sisters, Cathy Dennis, erstwhile Dirty Pretty Thing Anthony Rossomando, and Andrew Wyatt all had a hand in writing what Ronson describes as a ‘bionic’ song. Then he persuaded Boy George, at his most cracked diva-esque, to sing this song of ‘earnest blue-eyed soul’ and a lost club classic with a modern twist. It’d be a mistake not have ‘Record Collection’ in yours.

Mark Ronson & The Busines Intl – Record Collection – Tracklist
1. ‘Bang Bang Bang’ (feat. Q-Tip & MNDR)
2. ‘Lose It (In The End)’ (feat. Ghostface Killah)
3. ‘The Bike Song’ (feat. Kyle Falconer)
4. ‘Somebody To Love Me’ (feat. Boy George)
5. ‘You Gave Me Nothing’ (feat. Andrew Wyatt & Rose Elinor Dougall)
6. ‘The Colour Of Crumar’
7. ‘Glass Mountain Trust’ (feat. D’Angelo)
8. ‘Circuit Breaker’
9. ‘Introducing The Business’
10. ‘Record Collection’ (feat. Simon Le Bon & Wiley
11. ‘Selector’
12. ‘Hey Boy’
13. ‘Missing Words’
14. ‘The Night Last Night’ (feat. Rose Elinor Dougall)

markronson.co.uk

CILLA K – ‘Fine Line’ LP details + tracklist

Two things struck me when this was dropped into my inbox. One was that Cilla Black is now no longer (thankfully) the only singing ‘Cilla.’ Secondly, it’s been ages since I heard any decent RnB – after all there was a time only a few years back when RnB (both good and bad) was as common as lazy euro-trance-inflected electro crap is now. That was until the advent of euro-trance-inflected electro crap of course. Happily Cilla K is here with some decent beats and production from N.E.R.D’s Junius Bervine that recall early Kelis/ Lauryn Hill and a voice somewhere between Erykah and that bird from Morcheeba. Plus she’s very easy on the eye. And she’s very polite. Y’know – I’m thinking you should probably check the album – I’d recommend Drive You Home (Remix), Evil Child, Demain and Easy To Love – get your ears round it HERE – more details below…
(N.B. Attention promotion companies – this post should not be regarded as an open invitation to spam my inbox with half-assed Mary J Bilge (misspelling deliberate) imitations. The monkey remains, as always, all about the funky bumpin’ beats. Cilla K is dope. Word.)
(PRESS RELEASE) Cilla K., the French West Indian vocalist and beat maker is releasing her first album ‘Fine Line.’ The album reflects the diversity of musical elements imported from her multicultural background combined with her passion for classic , crafted melodies and lyrics. “At the beginning, I felt like this album had to be done a long time ago but I kept growing and I always felt like I should incorporate new qualities I had gained with time. Truth is, the timing couldn’t be better because it is finally so representative of who I really am”. The artist is on a mission to bring something intriguing to the table, with a concoction of indie and alternative beats, subtle jazz hints, hip hop and soul music sonorities. On the verge of finishing her history studies at Sarah Lawrence College, Cilla K. had randomly ran into David Pattillo, a New York music producer as she was on her way to a casting call. “Modeling was great at the time for paying the bills ” she gladly admits “but I always felt like I should be on the creative side, you know? a photographer, or a designer maybe..because art had always been part of my personality, I always felt like I was more of a creator than a creation”. From their very first collaboration,with the release of the song Lost in you posted on their website, Cilla K. and her producer had managed to attract the attention of several established artists of the industry. “In a couple of weeks, Mr.Khalyil from The Bush Babees was working with us. We also had Danny P. who was working with Joss Stone at the time, write Black and White with us, and the reactions were overwhelming”. The arrival of Junius Bervine in the team, (former COMMON’s musical director, who had worked with D’Angelo,Floetry, Lauryn Hill,Vivian Green and now part of the N.E.R.D team) would prove to be crucial. “He is incredible, he has so much creative energy in him,it’s ridiculous”. Cilla’s dreamy vocals mixed with Junius’ edgy beats has lead some fans to describe this new team as “a cool and different bunch”. “Back in Guadeloupe my family didn’t look very surprised by the interest, but everybody was very supportive, my mother said she prayed for me and was happy I had found balance and happiness in a new home not very far from home. I guess that’s the beauty of New York, no matter where you’re from, you always feel you’re home.”
Cilla K – Fine Line – Tracklist
1. We Are One – Intro
2. Fine Line
3. Connected
4. Drive You Home (Remix)
5. Black And White
6. Lost In You
7. Hallucination
8. Evil Child
9. Demain
10. Child Of The Universe
11. Drive You Home
12. Future
13. Rise On Me – Interlude
14. Nomad
15. Easy To Love
(Out now)

Cilla K – Myspace

LOUIS LOGIC: ‘Me & Everyone You Know’ album release details + tracklist

Louis Logic? I know that name – he was one half of the Odd Couple with Jay Love a few years ago. Alright…it was eight years ago. I bought a 12” by them – Pimp Shit. It was dope. Let’s hope this LP kicks it like that…the early signs are promising – summery rhymes and vibes and (as the acid-assisted cover might suggest) – psychedelic beats.

(PRESS RELEASE) Underground extraordinaire, Louis Logic, returns in 2010 with a brand new full length release. After successful solo albums, “Sin-A-Matic” and “Misery Loves Comedy”, the infamous ‘Drunken Dragon’ brings a project consisting of unadulterated and creative hip hop excursions. This 11 track album showcases songs that Louis has collaborated on with hip hop’s next crop of newcomers and artists on the rise. If you’re a longtime fan of Louis Logic, you will appreciate the continuation of his raw and well thought-out style, as this is a strong pairing of musical talents much like his previous group albums with The Odd Couple and Spork Kills. Album cover features original artwork by Chris Sosa.
(Out 6 April on Pot To Piss In)

TRACK LISTING:
01. Playing For Keeps (with Mdusu)
02. Right N Wrong (with Bo Jankans)
03. Natural Selection (with Anecdote & M-Phazes)
04. What You Want (with Nocturnal Artist, Ivan Ives & Big Jess)
05. The Lone Gunners (with Bugz)
06. Knock Knock (with Lakai)
07. Party Crashers (with The Let Go)
08. Knock Knock Bastardface (with Atari Blitzkrieg & Roc C)
09. The Long Way Down (with KAWZ)
10. Confinement (with The Day Laborers)
11. Broken Record (with Black Mask)

Louis Logic – Myspace

RHYMEFEST: ‘El Che’ LP release details update + tracklist

Read the latest 411 on Kanye’s ghost writ- er I mean collaborator Rhymefest and his new album below. It’s actually not a wildly different press release to the last ‘El Che LP release details’ post on monkeyboxing.com for the reason that the wording is almost identical but at least this time you get a tracklist…
(PRESS RELEASE) RHYMEFEST TO RELEASE LONG AWAITED SOPHOMORE LP EL CHE ON MAY 18TH – Sophomore Album to Drop on Indie Label dN|Be Entertainment
El Che Features Appearances From Saigon , Little Brother and Production from Scram Jones, S1, BKS and Terry Hunter
“Everyone needs a hero, what’s my name—EL CHE”
CHICAGO, IL– Grammy Award winner, Rhymefest (Che Smith), will release his highly anticipated sophomore album El Che on May 18, 2010 via dN|Be Entertainment and distributed by EMI, in conjunction with Rosehip Records.
On February 15, 2005, Rhymefest earned a Grammy Award for Best Rap Song, along with Kanye West, for co-writing the song “Jesus Walks” from Kanye West’s debut The College Dropout. Rhymefest’s critically acclaimed debut, Blue Collar, was released on July 11, 2006, which included production by Mark Ronson, Kanye West, Just Blaze, NO I.D and Cool & Dre and was spearheaded by breakout “Brand New” f/Kanye West, “Bullet” f/Citizen Cope and “Fever.”
Rhymefest’s sophomore LP, El Che, (in stores May 18th, 2010) delivers raw lyrics over epic production and Hip Hop lovers should expect to hear an unfiltered Rhymefest, liberated from the corporate suits and oppressive major label ideals of the prevailing record industry as evidenced by the hard-hitting “Talk My Shit,” “One Arm Push Up” and the frenetic Scram Jones produced “Give It To Me” f/Saigon & Adad. Always one to deliver a cohesive and diverse project, Fest and Phonte of Little Brother drop playful barbs on “Say Whassup” and gets celebratory on odes such as “Prosperity” and “How High” f/Little Brother and Darien Brockington.
As dN|Be Entertainment’s flagship artist, Rhymefest now has full creative control over his projects. When questioned about his new partnership with dN|Be Entertainment, Rhymefest mentioned “I wanted to be somewhere that not only appreciates artistry, lyricism, and originality, but also serves a greater purpose in Hip Hop and the Black community.”
On the heels of releasing El Che, Rhymefest will be releasing his last pre-album mixtape, DANGEROUS: 5-18 on ElCheTheMovement.com this April; Rhymefest’s tour dates (including Austin ’s SXSW) can also be found there.
Tracklisting and credits for Rhymefest EL Che LP:
1.) Intro: The Agent
2.) Talk My Shit
3.) Say Whassup f/Phonte of Little Brother
4.) How High f/Little Brother & Darien Brockington
5.) Chocolates
6.) One Arm Push Up
7.) Prosperity
8.) Truth On You f/Twone Gabz
9.) Intermisson: Juan Carlos
10.) Chicago
11.) Agony f/Glenn Lewis
12.) Last Night
13.) Give It To Me f/Saigon & Adad
14.) Intermission: No Help
15.) City Is Fallen f/Slique
16.) Celebration

elchethemovement.com

Rhymefest – Myspace

SHARON JONES & THE DAP KINGS: ‘I Learned The Hard Way’ LP released 4 May 2010 + Tracklist

Sharon Jones & The Dap Kings are the most authentic sounding deep funk band in the world and that’s not up for discussion. In fact they’re so authentic sounding I couldn’t believe they didn’t perform in black and white last time I saw them. I Learned The Hard Way is unleashed on 4 May this year. Let’s hope that what they ‘learned’ was not to forget to put some dancefloor belters on it – which, for all its soulful glory, were sadly missing off the last one.
(PRESS RELEASE)
SHARON JONES & THE DAP KINGS ANNOUNCE NEW ALBUM….I LEARNED THE HARD WAY SET TO DROP 4 MAY 2010…
Sharon Jones & the Dap-Kings are already well known as one of the most exciting acts in the nation for both their explosive live shows and their prolific output of gritty studio recordings. Their breakout release, 100 Days, 100 Nights, sold over 150,000 copies worldwide. On Jones’ birthday this year, the band will release I Learned the Hard Way, their fourth full-length on Brooklyn’s independent Daptone Records. The record marks a bold step forward for a band who almost singlehandedly stewarded today’s return of soul music to its more traditional sound.
‘I Learned the Hard Way’ was produced by Bosco Mann and recorded on an Ampex eight-track tape machine by Gabriel Roth in Daptone Records’ House of Soul studios, the record drips with a warmth and spontaneity rarely found since the golden days of Muscle Shoals and Stax. Sharon’s raw power, rhythmic swagger, moaning soulfulness, and melodic command set her firmly alongside Tina Turner, James Brown, Mavis Staples, and Aretha as a fixture in the canon of soul music. From the lush Philly-Soul fanfare that ushers in “The Game Gets Old” at the top of the record, to the stripped down Sam Cooke-style “Mama Don’t Like My Man” at the tail, the Dap-Kings dance seamlessly through both the most crafted and simple arrangements with subtlety and discipline. I Learned the Hard Way is the “Daptone Sound” at its finest………
Discography:….
‘Dap-Dippin’ with the Dap-Kings’ – May 2002….
‘Naturally’ – January 2005….
‘100 Days, 100Nights’ – October 2007….

Sharon Jones & The Dap Kings – I Learned The Hard Way– Track List
1. The Game Gets Old….
2. I Learned The Hard Way….
3. Better Things….
4. Give It Back….
5. Money….
6. The Reason….
7. Window Shopping….
8. She Ain’t A Child No More….
9. I’ll Still Be True….
10. Without A Heart….
11. If You Call….
12. Mama Don’t Like My Man….

daptonerecords.com

Sharon Jones & The Dap Kings – Myspace

APATHY: New LP ‘Wanna Snuggle’ details + tracklist + ‘Shoot First’ free download

Heads up! Demigodz founder member Apathy’s back with solo LP number two (Read review of Apathy – Wanna Snuggle HERE) and it sounds pretty damn good…head on over to abovegroundmagazine.com for a free download of second single and album highlight Shoot First (feat. B-Real and Celph-Titled
(PRESS RELEASE) Wanna Snuggle (released 6 October 2009 on Demigodz Records) features appearance from B Real, Phonte, Celph Titled, Holly Brook (Fort Minor), J-Live, Chip-Fu, Ryu, Blue Raspberry (Wu-Tang), and production from Mike Shinoda.
Even after signing a major label deal with Atlantic Records, to being named one of Urb Magazine’s “Hot 100” artists, being featured in XXL, Vibe, XLR8R, Remix, CMJ, Pound and numerous other publications and joining frequent partner in rhyme (Celph Titled) in forming Demigodz Records, Apathy has spent the better part of his journey as an artist searching for “absolute truth” within his music and within himself.
Though the name implies lethargy, Apathy’s work-ethic has been anything but. Many know him as a founding member of The Demigodz crew (which also includes Styles Of Beyond, Celph Titled and 7L & Esoteric) where he joined the rest of his crew in releasing 2002’s critically acclaimed EP, The Godz Must Be Crazy, (the same EP that led to a major-label bidding war for his services that eventually resulted in Apathy signing with Atlantic Records). Furthermore, Apathy has has also made guest appearances on LP’s from Linkin Park’s Mike Shinoda (Fort Minor LP), Sage Francis, Styles Of Beyond, Jedi Mind Tricks, Outerspace and Army of Pharaohs among others. In addition to having his music appear on the hit TV series CSI: Miami, you can also hear his voice on the video game Midnight Club 3: Dub Edition (which featured his track “Drive It Like I Stole It”), Ap has also released a series of highly circulated mixtapes; including 2003’ It’s The Bootleg Muthafuckas! Vol.1, 2004’s ironically entitled Where’s Your Album; which was highlighted by his reworking of Depeche Mode’s “Personal Jesus” and The White Stripes “Seven Nation Army” (“It Takes A Seven Nation Army To Hold Us Back”) and 2007’s Baptism By Fire
Apathy’s debut, Eastern Philosophy, was released in 2006 by Babygrande Records and received rave reviews from Vibe Magazine and a slew of prominent publications and he was highlighted as one of the top upcoming emcees by XXL Magazine with a “Show And Prove” selection.
Though its been three years since Apathy’s debut, he has remained busy flexing his production muscle, working with artists like Cypress Hill, EDO . G, Styles Of Beyond and 7L & Esoteric. Yet, Apathy plans to re-stake his claim by taking Hip-Hop by storm again with his long-awaited sophomore LP, Wanna Snuggle, which completely smashes any notion of a sophomore jinx and delivers another timeless rap LP.
Some of the highlights from Wanna Snuggle include the buzz singles that have driven the Internet wild, the uptempo Mike Shinoda produced “Shoot First”, featuring the legendary B-Real (of Cypress Hill) and Celph Titled and the Phonte assisted “True Love.” Also contributing a major influence on Wanna Snuggle is singer Holly Brook, best known for Fort Minor ‘s chart topping single “Where’d You Go.”
Apathy – Wanna Snuggle: Tracklist & credits
1.) Hell’s Angel
2.) Money Orientated f/Emilio Lopez
3.) Gov’t Cheese
4.) On and Off The Mic f/Blacastan
5.) Back In L.A. f/Ryu and Veze Skante
6.) Shoot First f/B-Real of Cypress Hill and Celph Titled
7.) I’m A Demigod
8.) True Love f/Phonte of Little Brother
9.) Mind Ya Business f/Chip-Fu)
10.) Thinkin’
11.) This Is The Formula f/J-Live
12.) Guys & Girls f/Blue Raspberry
13.) Anyday f/King Magnetic
14.) Candy f/Dose
15.) Run, Run Away
16.) No Sad Tomorrow f/Holly Brook and Mike Mass
17.) Rhode Island f/Emilio Lopez
18.) What Goes Up
19.) Hard Times On Planet Earth
20.) Slave f/Motive
21.) Victim f/Holly Brook

Apathy – Myspace

Top